A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price?

In England, the American pathologist Dr. Richard Murray still grieves the death of his wife Carol eight months ago in a car crash. He is drinking too much whiskey due to his guilty complex since he had a love affair with a woman when Carol left home, and he has frequent blackouts, forgetting what he has done in the previous drinking night. Meanwhile a serial-killer is attacking women in the location, and the experienced American cop DCI Collins and the psychologist Frances Beale are invited to help the local police in the investigations. When Dr. Murray receives messages from beyond, he meets his friend Father Randall seeking spiritual support and explanation.

An assistant editor and assistant producer discover a mysterious ghost in the footage of a movie project they are working on. As they work on the project a series of strange deaths begin to occur.

When escapees from a mysterious cult start disappearing, the survivors are driven to find each other for protection. Damaged by their dark pasts and hunted by the cult leaders who followed them to Los Angeles, they'll do anything to be free.

撮影が終わったばかりのホラー映画の仕上げを任されたAP良成と編集助手の和佐。和佐は洞窟シーンに謎の白い物が映り込んでいるのを発見し上司に相談するが、上司はそのカットを割愛して別のカットを使用しろと命じる。そして、悲劇はその晩に起こる。

Before entering hypersleep aboard the USCSS Covenant, several members of the crew record final messages for their loved ones at home. Daniels tells her father how excited she is to be colonizing a distant planet; Oram talks religiously about their responsibility in creating a new world; Rosie expresses her loneliness at the thought of being out in deep space; Lopé makes a businesslike final status report, expressing his concern that a six–strong squad may not be adequate protection for the mission, and Tennessee shares a drink with his younger brother and comes clean to the Weyland-Yutani Corporation about his felony record, of which they were previously unaware.

Corrupted Blood is a digital archaeological study that examines the infamous digital plague from World of Warcraft. In the game, a contagious bug known as corrupted blood spread rapidly among players’ avatars, creating chaos and unforeseen challenges for the virtual community. This work employs Unreal Engine and machinima techniques to reconstruct the digital aftermath, inviting viewers to navigate the overlooked backstage of game development. By revisiting the digital ruins—termed Fallen Blood—the piece charts a journey through a space once overwhelmed by a viral outbreak and subsequently purged through debugging. The work interrogates how cyberspace is mapped and redefined when digital catastrophe strikes. It also connects the impersonal, gamified portrayal of death with broader reflections on mortality, especially against the backdrop of our post-epidemic era. Through its synthesis of digital art and archival inquiry, Corrupted Blood prompts us to reconsider the relationship between virtual existence and physical life, asking how technology reshapes our understanding of life, death, and the spaces that exist between.

Two loves are separated by a tragic accident but death cannot keep them apart. This is a haunting tale of love, life, death, and the intervention of the dead.